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Ralph Fiennes, Juliet Binoche as Ulysses and Penelope |
I dare he does not care. He is long gone and is no longer in a position to worry. Maybe that is his secret of his survival, not caring about other people’s opinion of him. I have never warmed to Ulysses, however, and my opinion of him has been brought into focus by a new film called The Return in which Ulysses is portrayed by that fine actor Ralph Fiennes. The film only looks at his return to Ithaca and ignores the various adventures he had on the way back from Troy.
It was Ulysses who thought up the idea of cramming a group of soldiers into the wooden horse which was left as an apparent gift to the Trojans but turned out to be a trap, releasing them into the city they had supposedly besieged unsuccessfully for ten years until they appeared to leave to go home. In fact, they returned to destroy the city and its inhabitants having tricked their way into it before leaving the wooden horse as a supposed gift.
This trick gave us the phrase ‘beware of Greeks bearing gifts’. It was not bravery in battle or superior siege weapons which led to the Greek victory but a rather sneaky sleight of hand thought up by Ulysses. This resulted in an orgy of massacre (and probably rape) by the victorious Greeks. They made sure that all the Trojan males were killed – even the babies – and all the women enslaved after they had sacked the city, leaving no trace of Troy.
Then Ulysses begins his long journey home, taking another ten years and having numerous adventures on the way, as described in The Iliad. All his men are killed in this journey until he limps back to Ithaca to reclaim his crown and his long-suffering wife Penelope and their son Telemachus. This is what The Return is about - not the adventures, both military and romantic - that kept him from returning for so long and convinced people that he was dead.
Penelope is surrounded by suitors who want to marry her. Not only they are all killed by the returning Ulysses, but the servants who looked after them, most of whom were female, were strung up and hanged. This is what turned me against the so-called hero of the story, the killing of the servants, who were only doing their job in serving the men who were wooing their mistress. This incident is, interestingly, left out of the film. Only the suitors die.
Maybe this is a modern way of looking at the story, feeling for the workers, who would surely have been put to death by the suitors themselves if they had refused to serve them and remained loyal to their absent master. The servants were dealing with the reality of the situation, not the impossible ideal of a man returning after being away for two decades. Of course, Ulysses does return but the servants had to deal with the situation as they found it.
They had a living to earn, after all, and had to deal with the situation they were in, not one that might occur sometime in the future. Killing the servants as well as the suitors served to cleanse the court thoroughly as their king returned home. Ulysses could start anew with a clean slate, with just his wife and son by his side. No account is given of his death, which surely happened, unless he discovered the secret of immortality as well.
In a way, he has done, of course, living beyond the story of what happened at Troy and on the journey home. Ulysses is the ultimate survivor, being a warrior – he dispatches his enemies ruthlessly in the films, even as they beg for mercy – and a clever schemer who does not declare his identity as soon as he comes home, but allows to people think of him as an old drifter who is only recognised by his dog, who cannot speak of his knowledge to humans.
Fiennes, who is an excellent actor on screen and stage, plays Ulysses as a survivor, who shelters with a slave, as he slowly but surely reasserts his kingship in Ithaca and disposes of his enemies. This motley crew does not seem very realistic to me. Although Penelope (who is Helen of Troy’s sister) is a great beauty, surely they would in reality have pursued younger and more fertile women, especially in the unforgiving Mediterranean climate.
However, this is letting the truth get in the way of a good story, anathema to film-makers around the world. Ulysses has to battle for his crown and ruthlessly dispatches all the suitors with the bow he has managed to thread to prove his worthiness. They die with a whimper as he and his son dispatch them, saving the last blow for the most sympathetic suitor who accepts his fate and is killed, despite Penelope’s pleas, by Telemachus.
In those days men did not expect to die in their beds and to survive you had to be a killer. Being a pacifist was not enough to ensure survival and so Ulysses has to dispatch those who were after all trying to usurp his place. But the servants as well? We live in an egalitarian age when their feelings and motives are taken into account and getting rid of them seems unnecessary and over-vengeful. No wonder the film-makers left that part out.
Films and stories demand a high body count these days and a man strolling back to claim his crown unopposed would not have made much of a story. Still, I think that killing the servants was unnecessary and have never forgiven Ulysses for doing so. The film-makers probably agreed and cut this part out of the story, as much to make him sympathetic as to control the length and killing in the film. Still, I have never forgotten - or forgiven - it.
Edwin Lerner
My other blog is diaryofatouristguide.blogspot.com