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| Scrubs from a free, small exhibition at the NG. |
It does enhance your knowledge of the world around you, Most western art has the effect of ‘making the familiar new or the new familiar’, which Doctor Johnson said was the main purpose of art. I always think, incidentally, that this is the difference between Lennon and McCartney. John was always escaping into new areas making them familiar to us, while Paul relied on close observation of the everyday world and bringing it into new life.
I have been thinking about this having just come back from Istanbul which, being the capital of a Moslem country, does not allow representational art, which is banned in Islamic art. The effect of this is to make buildings like mosques sometimes jaw-droppingly impressive from the outside but rather disappointing inside. The blue mosque in the centre of the city is undoubtedly memorable when seen from the outside but the interior is a but ‘samey’.
Before we went to Turkey, I popped into the National Gallery to see a small exhibition of paintings by the artist George Stubbs, who revolutionised the painting of horses by spending about eighteen months locked away with them in a barn. His most famous painting is of Whistlejacket, which is not only on of the gallery’s most viewed works but also the first time a horse without a rider was the main focus of a painting in this (or any other) country.
Whistlejacket is still in its original position and the exhibition focuses on another prize-winning horse called Scrubs (above) who Stubbs was commissioned to portray by its owner the wealthy second Earl of Rockingham. Stubbs was not sentimental about horses and was quite prepared to sacrifice them in order to understand their anatomy better, Whistlejacket probably died of natural causes but other horses were not so fortunate.
I have long had a preference for representation art over the kind which fills almost every available space with what are essentially pretty patterns on tiles. Likewise, I do not care much for abstract art, although I can see that the works of abstract artists fulfils the making the new familiar part of the art definition while representational works make the familiar new by helping us to look at again at what we thought we already knew.
I is probably why I like representational art - ie paintings that show you something you know (or think you know) nut make you look at it afresh. It occurs to me that societies that are religious in nature often prefer non-representational work because they have confidence in a benevolent God and do not need to look at his creations again, while secular and doubting societies that have doubts about God want to examine nature more closely.
Of course, this us a broad generalisation, possibly so broad that it has little value. Medieval art in Europe and Britain was both religious and representational – offering views of the annunciation (the announcement to Mary that she would become the mother of Jesus); Christ himself and scenes from his life from his birth and later baptism by John the Baptist to his death at the cross in the crucifixion and to scenes from the lives of his followers.
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| The Baptism of Christ by Fra Angelico - another favourite of mine at the NG |
What I like about paintings like Fra Angelico’s Baptism of Christ, however, are the faces obviously from life, of the everyday observers of scenes that are holy in nature but in which the artists could not resist putting in literally down to earth details that make the painting come to life. As someone wryly observed in The New Yorker, the problem with paradise is that it might be a bit dull – being stuck in the afterlife forever with nothing much to do.
Let us concentrate on what is around us and not worry too much about eternal things. ‘God is good,’ say pious people even after a natural disaster that has claimed dozens of innocent lives. Perhaps but we will never know until it is too late for most of us. Give me the everyday and eternity can look after itself. That is why I orefer art that represents the world around us – and not something more abstract.
Edwin Lerner My other blog is diaryofatouristguide,blogspot.com
The National Gallery Stubbs exhibition is open until the 31st May.R







