I remember
the first time I saw the deliberate use of ‘she’ as a generic pronoun instead of ‘he’. It was, appropriately enough, in an article by
Germaine Greer about the writer Martin Amis taking on a new agent who demanded
(and got) a large advance from his publishers for a new book. Greer used the ‘she’ word rather than ‘he’,
reasoning that we had heard the masculine pronoun often enough and it was time
for a change. One of the
reasons this seemed such a discrepancy was that it was, for me at least, an unknown practice. I had always read – and
written - ‘he’ when referring to someone like ‘the writer’ in general terms so
this change jumped off the page, although it has by now become more
common.
There was a certain irony in
this use of 'she' instead of 'he' because Amis had replaced his previous agent Pat Kavanagh
(female) with the altogether more aggressive Andrew Wylie (male) who was
nicknamed ‘the Jackal’. Most writers,
sportspeople (note the gender neutral term) and actors (a word now also
considered gender neutral) use agents to cut their deals for them because these
agents have both the contacts and the experience to maximise their clients' earnings. Kavanagh was sidelined as Wyeth gained a huge advance for Amis, although this reputedly cost him the friendship
of Kavanagh’s husband Julian Barnes. The irony comes about from the fact that Wylie was showing typically masculine aggression while the more restrained Kavanagh was showing what might be considered feminine restraint. We might approve of the civilised virtues but, when it comes to making money, we like to have a mean bastard on our side - and he will probably be a bloke.
I sometimes
still have to double check when I read ‘she’ to see if the writer is referring
to a person specifically or a profession generally whereas, if they stick to
the traditional ‘he’, this hardly ever occurs.
When I was working for the British government one (female) minister I worked
under used to alter the drafts of papers and speeches which used the generic
‘he’ to ‘he or she’ but this seemed clumsy and laborious to the elegant
mandarins of Whitehall and was not widely adopted (although it was tolerated for
the individual in question). ‘He or she’
still persists amongst certain writers and speakers but it does not flow off
the tongue and many people would regard the speaker/writer using it as someone
struggling to do the right thing at the cost of elegance, of them being – God
forbid – too ‘politically correct’. I generally avoid this phrase, in fact, but it lurks in the background of the way many (male, white) people think.
Now I have a
solution to this problem, which I do not think has been tried yet but which I
think will solve the gender imbalance at a stroke without using clumsy
strokes and slashes (he/she). This is
that all male writers use the pronoun ‘he’ and the adjective ‘his’ while female
ones use ‘she’ and ‘her’. So, if I was a
woman I would write a sentence like, “If she wants to be trusted a politician
should always be honest with her constituents.”
Being male I would write, “A film actor should only take on parts he
considers worthwhile rather than ones that improve his bank balance.”
(Both statements are naive, I know, but these are hypothetical not actual
sentences – and sentiments.)
This new
system would have the advantage of being simple, fair and easy to use. Germaine Greer or Zoe Williams would always write (or say) ‘she’ when
referring to ‘the writer’, ‘the actor’ or ‘the coal miner’ whereas Julian
Barnes and Martin Amis could continue to use ‘he’ in these situations. There are roughly equal numbers of male and
female writers around – probably more women in fiction writing, men in non-fiction – so this would create an
instant gender balance in what is published.
Admittedly there are not many female coal miners around so it might lead
to the odd absurdity but we could live with that for the sake of equality and
fairness.
It would also
kill off the idea of replacing both ‘he’and ‘she’ with ‘ze’ which has been
suggested as a gender neutral term to replace both male and female
assumptions. I cannot see it working
because it is a polticial rather than a practical term. Again the fear of political correctness would discourage people from using ‘ze’, a word my computer does not yet recognise. It would divide
writers into those who adopted gender free language and those who refused to
embrace it so it would be automatically divisive. The universal use of ‘he’ or
‘she’ in texts for respectively male and female authors would mean that the
writers did not have to think about the issue when writing and readers could
become used to slightly different systems when reading. This may have posed a problem for Mary Ann Evans,
who wrote under the name George Eliot, but the days when a woman writer had to
pretend to be a man to be accepted are surely long gone.
We probably
have the technology to alter already published texts to replace the general
personal pronoun ‘he’ with ‘she’ if the writer was female and to even rewrite
modern submissions in this way. Most
people opposing this move would be male so they could continue to write using
male terminology without having to wander into the swamp of political
conformity. Women writers who were fed
up with using he and wanted to avoid ze would have no such problem.
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